Information and materials
Commentary:
(Sterne’s parenthesis, anagrammed as my hope for ultimate absorption into anonymous tradition: ‘bow’ as onstage gesture, and as Art)
There follow anagrams of seventeen titles from my work, listed chronologically, each anagram accurate to one or other aspect of the work itself.
its sequence of effect. We could have a ‘quatrain’:
O Menace, O Fright
of eco-nightmare
Ace moon-freight
of magic thereon
its central process of human transformation
its female lead embodies its title metaphor in drastic sense
its meaning; with shift of one word (‘not’ to precede ‘ashore’), its story-line
as it suggests, the old gods bide their hour
the suppressed letter, not present in its title, would make visible the taboo that is its theme
i.e we the audience do
as its protagonist will surely have been
so he surprisingly becomes
she is
its principal process
could have been an image in his Ken Russell film
his schooling, repression: their fruit his distinctive art, often with religious overtone
my sentiment exactly
------ a rather Genetesque one in fact
what, in his last line, the play’s creature promises to do
he is
LAST WORDS OF Tristram Shandy DONE IN GREEK