Emblem 101

Information and materials

Being a composer who uses traditional notation in my works, I decided to pick out the ‘blobs’ on the original plate that resembled most closely the size of note heads.

This gave me a rising pattern of dots, which I coloured in s gradually rising lightening colour ‘scale’. 

The dark passages on the original I intimated in order to give a slight feeling of depth.

I was recently in Paris, where I bought my materials. I used Faber-Castell colour pencils and Stabilo fineliners.